(1843 -1901 ) - Painter   Related Paintings of Karl Konrad Simonsson :. | Accordion | Self-Portrait at the Easel | Rebecca Abducted by the Templar (mk05) | The third May | Lovers Lit by a Candle |
Related Artists:
Georg Flegel
1566-1638 Georg Flegel Location German painter. He was the son of a shoemaker, and not being a Roman Catholic, probably moved to Vienna after 1580, when the Counter-Reformation began to take effect in Olmetz. In Vienna he became the assistant of Lucas van Valckenborch I, whom he subsequently followed to Frankfurt, then an important centre for art dealing and publishing. He filled in staffage in van Valckenborch pictures of the seasons and portraits, inserting fruit, table utensils and flowers as still-life set pieces. His faithful reproduction of flowers and fruit drew on watercolours by Derer, still-life painters from the Netherlands living in Frankfurt, and botanical and zoological illustrations by Joris Hoefnagel, Pieter van der Borcht IV and Carolus Clusius (1525-1609) then being published in Frankfurt.
John Tenniel
English Golden Age Cartoonist and Illustrator. (1820-1914) English illustrator and painter. Impatient with the hierarchic structure of the curriculum at the Royal Academy schools in London, he left to follow a less formal education at the Clipstone Street Art Society's life and anatomy classes and in the British Museum's sculpture galleries and Print Room. His research into the history of costume and armour provided material for his early oils of chivalric scenes, which he exhibited at the Royal Academy (1837-42, 1851). Tenniel was among the artists commissioned to decorate the New Palace of Westminster, and he went in 1845 on a state-sponsored trip to Munich to study fresco technique. His contact with the school of Peter Cornelius while there confirmed his emphatic preference for a precisely drawn line.
Giovanni Boldini
1842-1931 Italian Giovanni Boldini Locations Italian painter and printmaker. He received his earliest training from his father, the painter Antonio Boldini (1799-1872). From 1858 he may have attended courses given by Girolamo Domenichini (1813-91) and Giovanni Pagliarini (?1809-78) at the Civico Ateneo di Palazzo dei Diamanti, where he assiduously copied Old Masters. At 18 he was already known in Ferrara as an accomplished portrait painter. In 1862 he went to Florence, where he sporadically attended the Scuola del Nudo at the Accademia di Belle Arti. He frequented the Caffe Michelangiolo, a meeting-place of progressive artists, where he came into contact with the MACCHIAIOLI group of artists.